As the microscope became popular, more people with practical skills became involved in its use: 'microscopists' collaborated with instrument makers to create new designs, whilst some made their own instruments. One of the most famous early designs was that used by Robert Hooke. Hooke's microscope had a sturdy frame holding the body tube, which houses the lenses.
In the 18th century various designs were proposed, two of which are shown to the right. Image 1 is a pocket microscope. Pocket microscopes were popular because of their ingenuity and the fact that they could be used outdoors in the field. Image 2 shows a larger microscope, designed by John Cuff. Cuff's design looks more like our modern microscopes, and was very popular in the 18th century due to its stability and easy focusing mechanism.
Aside from microscopes that are intended for use outdoors in the field, most designs have a number of common features. These can be seen in the two images. Most microscopes have some kind of a stand, which holds the body tube, the lens(es), and sometimes a stage. The stage supports slides or specimens.
Focusing is one of the most important parts of microscopy. The distance between the lenses and the specimen, and between the lenses themselves, needs to be adjusted, and various focusing mechanisms have been used to do this. Another important task is the illumination of the specimen. If you were to look at a flea under a microscope in normal light it would be impossible to see anything at all. The flea would need to have a light shone onto it, or through it from underneath. Before the invention of electric lighting, candles, gas lamps, and sunlight were used. The light is usually shone directly into the body tube via a mirror; when the mirror is position beneath the stage, it is called a substage mirror.
Throughout the website and collections of the Whipple Museum you will see various microscope designs. However, they all have common features, and most work in the same way.
